tag:blogger.com,1999:blog-20082889847816585852024-03-18T21:23:14.500-07:00MYA ProjectenNac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.comBlogger40125tag:blogger.com,1999:blog-2008288984781658585.post-53360559148820534292017-08-18T07:59:00.000-07:002017-10-23T06:48:21.408-07:00Familielied aan het Water by Anna Mikhailova <div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px;">Music is an universal language. For Anna Mikhailova from Charlois is this the starting point for a very personal project “Familysong- het Familielied”:</span><br />
<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px;">"In case of my family every new generation was born in one place and moved to a different country to live most of their life. I felt need in belonging, support and family protection and heard silence. Since very early I consider music as my main language and I started to think what would make me to fulfil the need and what can help me to regenerate and heal myself and the answer was – familysong."</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px;">Anna is inviting families from Charlois to make in collaboration their personal familysong. The melody and the sound contain the elements, which the family would find fit their nature, depending to their roots or taste or ideology or desire to live. The text is based on the personal experience of the different generations in the family. </span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica neue" , "helvetica" , "arial" , sans-serif; font-size: 14px;"><a href="http://mikhamikhailova.wixsite.com/annamikhailova">http://mikhamikhailova.wixsite.com/annamikhailova</a></span></div>
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Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-76613134498903880122017-06-30T08:14:00.000-07:002017-10-14T08:15:07.337-07:00Peach, new activities and exhibitions are coming!<h2>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="font-weight: normal;"><span style="text-align: center;">Peach</span><span style="text-align: center;"> is a home and exhibition space i</span></span><span style="font-weight: normal; text-align: center;">nhabited by Ghislain Amar, Anna Maria Łuczak and some other people </span><span style="font-weight: normal; text-align: center;">in the south of Rotterdam. Occasionally, </span><span style="font-weight: normal; text-align: center;">Peach</span><span style="font-weight: normal; text-align: center;"> turns into a collective and respond to various kind of situations.</span></span></h2>
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="font-weight: normal; text-align: center;">June the 30th the </span><span style="font-weight: normal;">exhibition</span><span style="font-weight: normal; text-align: center;"> </span><span style="text-align: center;"><div style="display: inline !important; text-align: left;">
<span style="color: black;"><span style="color: #333333;"><span style="font-weight: normal;">'Paracosms' by Jacky Connolly was opened. For more info, </span></span><span style="font-weight: normal;">future exhibitions and activities </span><span style="color: #333333;"><span style="font-weight: normal;">check:<a href="https://www.blogger.com/goog_242326848"> </a></span></span></span></div>
</span><span style="font-weight: normal;"><a href="http://www.peachopposite.com/">http://www.peachopposite.com</a></span></span></h2>
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Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-31857706944613922592017-06-24T05:27:00.000-07:002017-08-02T05:28:42.604-07:00Opening 'Metropolitan Iconographies. Urban Saints of Charlois' by Despina Papachristoudi and Anastasia Tsaparoglou <div class="separator" style="clear: both; text-align: center;">
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It's official: The 24th of june the project 'Metropolitan Iconographies. Urban Saints of Charlois' will launch! We will celebrate this moment in Koffie & Ambacht, where we will meet for a drink and you will have the possibility to meet all the saints. The creators will also be present to answer any questions you might have relating to the project.</span><br />
<a href="https://www.saintsofcharlois.com/">https://www.saintsofcharlois.com</a>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-38682204975434355292017-05-17T01:09:00.000-07:002017-05-23T01:10:52.421-07:00Het Brabantse Dorp <div style="border: 0px; font-family: 'Open Sans', Arial !important; font-size: 16px !important; font-style: inherit; font-variant-caps: inherit; font-weight: inherit; line-height: inherit; margin: 0px 0px 1em; padding: 0px; vertical-align: inherit;">
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<span style="color: #4c4c4c;">Het nooddorp stond op de plek waar nu het Ikaziaziekenhuis, Ahoy en het winkelcentrum Zuidplein zijn. Schouwburg Zuid, de voorganger van Theater Zuidplein was tot 1966 een directe buur van de 526 noodwoningen omvattende buurtschap.</span></div>
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Het verdwenen nooddorp werd ooit gebouwd als gevolg van het Duitse bombardement op 14 mei 1940, waarbij 80.000 Rotterdammers huis en haard verloren. De gemeente Rotterdam liet zes nooddorpen bouwen (drie aan de Noorderkanaalweg, een in Smeetsland en een in Overschie) om hen een dak boven het hoofd te geven. Het zesde van die nooddorpen was 'Het Brabantse Dorp' in de polder tussen Charlois en Vreewijk. De krappe woninkjes moesten uiteindelijk in de jaren zestig van de vorige eeuw ruimte maken voor de bouw van het Ikaziaziekenhuis, Ahoy en het winkelcentrum Zuidplein. Een deel van de tweeduizend bewoners verhuisde naar Hoogvliet en Spijkenisse of een van de andere nooddorpen, waarvan dat in Overschie nog steeds bestaat.</div>
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De bewoners van het Brabantse Dorp hadden in Rotterdam geen goede naam. De bevolking was veelal arm en laag opgeleid, maar er was een sterke sociale cohesie in het dorp.</div>
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Dit project is ondersteund door het Mya Cultuurfonds en is o.a. tot stand gekomen in samenwerking met Stedelink 010, Gerwin Luijendijk en Despina Papachristoudi.</div>
Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-45342452340340621982017-05-04T05:05:00.000-07:002017-08-02T05:08:31.098-07:00Human towers in Rotterdam and in Charlois<div class="separator" style="clear: both; text-align: center;">
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<b><i><span lang="EN-US" style="font-size: 16pt;">Human towers</span></i></b><b><span lang="EN-US" style="font-size: 16pt;"> in Rotterdam (and in Charlois)</span></b><b><span lang="EN-US"> </span></b></div>
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<i><span lang="EN-US">Human towers</span></i><span lang="EN-US"> will be built in Rotterdam. Cultural organization Tante Nino (aunt Nino) will bring <b>150 Catalonian <span class="il">Castellers</span></b> to Rotterdam and organize the event <i><span class="il">Castellers</span> Rotterdam</i> in May.</span></div>
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<span lang="EN-US">The <span class="il">Castellers</span>, together with more than thousand Rotterdammers, will build the <i>Human towers</i> (of eight stories high) on Noordereiland and Schouwburgplein. </span></div>
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<span lang="EN-US">In the days before the event, a number of <b>workhops</b> are given on how to participate in building this human tower (<i>Castell</i>). Foundation NAC adopted one of the workshops which takes place at the Charloisse Hoofd in Charlois.</span></div>
Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-43001208013471085702016-12-05T12:06:00.001-08:002017-04-07T01:05:09.757-07:00Work in progress: Metropolitan iconography, Urban saints of Charlois by Anastasia Tsaparoglou & Despina Papachristoudi<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #231f20; font-family: "arial" , "helvetica" , sans-serif; font-size: 12pt;">Urban saints of Charlois is a series of mixed media portraits of everyday people that live on
the working class suburbs of Rotterdam depicted as saints or/and pop icons. The project will
focus on the residents of Charlois area with the intention to expand in the future on similar
multicultural and neglected suburbs of other European cities like Berlin and Athens. It is a
collaboration between the designer/architect Anastasia Tsaparoglou (ex-Nac member from the
Tacostraat collective) based in Denmark and the photographer/Nac member Despina
Papachristoudi from the tacostraat collective. Soon more!</span></span><br />
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Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-69223453380272827952016-11-01T11:56:00.000-07:002016-12-05T11:57:04.180-08:00Rib welcomes the local community!<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The Mya fund supports the annual program of Rib with a special aim of being visible for the art, as well as the local community<span style="background-color: white;">. </span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="background-color: white;">Rib is an exhibition space in Rotterdam. The main objective of Rib is to actively and long term engage in the development and the production of presented works, w</span><span class="s11" style="border: 0px; margin: 0px; padding: 0px;">ith both local and international artists</span><span class="s11" style="border: 0px; margin: 0px; padding: 0px;">. For more info check: http://www.ribrib.nl</span></span>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-20415552106512760042016-06-25T05:44:00.000-07:002016-07-08T05:45:14.311-07:00KIOSK all u niek, by Susana Pedrosa, Berenice Staiger and Julie Muller<span style="background-color: white; color: #222222; font-family: 'Crimson Text', 'Times New Roman', Times, serif; font-size: 23px; text-align: center;"><br /></span>
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<span style="background-color: white; color: #222222; text-align: center;"><span style="font-family: Arial, Helvetica, sans-serif;">KIOSK all u niek is a pop-up store. It is open for just 12 unique days. We have products for every- one. You can buy, share and exchange products, ideas and services. Make your choice from a daily changing selection like ‘stupid ideas not to follow’, flags to mark own territory on the ground or just buy a complex postcard. Join the talent show and bring, sing and share your own ideas, talents, suggestions and services like the recipe of your favorite meal or sing a song from your childhood etc. Enjoy a chat, a cup of tea or coffee for free, join one of our happy hours. Feel free and come in!</span></span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; color: #222222; text-align: center;">Check: </span>https://kioskalluniek.wordpress.com</span>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-33396597419631390692016-06-17T06:32:00.000-07:002016-07-08T06:35:26.193-07:00Pilot - Camping Heijplaat <span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Bazar Bizar was na acht geweldige jaren in Charlois wel eens aan iets nieuws toe. We fantaseerden over een (stads)camping, tot we op Heijplaat de Academie van Bouwkunst tegenkwamen. De handen (en plannen) werden ineen geslagen.</span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">Met trots presenteren we deze eerste preview van Camping Heijplaat, van vrijdag 17 tot zondag 19 juni, niet toevallig rond de Dag van de Architectuur. </span><br />
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<span style="background-color: white; color: #4b4f56; font-family: "helvetica" , "arial" , sans-serif; font-size: 14px;">In een weekend in juni zijn bezoekers van binnen en buiten Rotterdam welkom op deze unieke plek in Rotterdam. Er is eten, muziek, theater, een kampvuur en een rad van fortuin. Er zijn activiteiten voor kinderen, er kan worden gedanst en natuurlijk ook gekampeerd! </span><br />
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Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-34104502593405420842016-06-15T05:05:00.000-07:002017-03-29T07:52:56.003-07:00Visual and textual report by Sanja Tuskan<div class="MsoNormal">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">CHARLOIS<span style="mso-spacerun: yes;"> </span>SPECIAAL 10. VI - 19. VI 2016.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">A little more than two years ago I stayed in the Netherlands
for the first time. With its modern and vivid architecture, Rotterdam offered
an experience different from the typical Dutch idyll that I had expected. I’ve
always gladly avoided big cities and their crowds, the rush, traffic jams,
massiveness and masses make me anxious. After just one walk I realized that
Rotterdam is a different story and that the tension between its contrasts is
what makes this city pulsate with life in harmony. Everything seems simple,
accessible, relaxed; a lot of public spaces are like (<i style="mso-bidi-font-style: normal;">mise en scène) </i>settings<i style="mso-bidi-font-style: normal;">,</i>
carefully selected elements put together in the service of a (plot) play - the
lives of its citizens. I was born in Yugoslavia in a country that no longer
exists and I lived in Serbia one of the former republics of that state, where
everything is pretty dead now. The city that exists because of its citizens,
listens to them and satisfies their needs has been a revelation. <o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">In order to describe that feeling of relief to someone
from my country, I give them as a symbolic example the making of an asphalt
trail which I witnessed. Like other people, I often used this shortcut, one of
those footpaths that people make in the grass to shorten the way. <span style="mso-spacerun: yes;"> </span>This was a pretty short footpath in an emerging
city point, which made it even uglier. One day an asphalt trail with nicely arranged
green area emerged there. There are a lot of bumpy shortcuts in my hometown
used for years which during winter turn into mud, but people continue to use
them because it’s the easiest, most convenient way to their destinations. But
no one notices that and the town always has more important things than the
people who live in it. Everything is upside down there anyways, it seems that the
people exist because of cities and their governments, and anyone can become
their victim at any time and place. In that disintegrated society of destroyed
institutions, compromised in so many ways, imprisoned in perpetuum mobile of
its un-remedied errors, impoverished and deserted, the streets are a potential
threat. <o:p></o:p></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 0cm; margin-right: 0cm; margin-top: 12.0pt; text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">As someone who graduated philosophy I became clearly
convinced that aspiring to one’s ideals is a fruitless folly in that society, so
I’ve come here, where the folly is praised, where after centuries of humanistic
tradition the ideals are a natural frame of the habitus.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">With my husband who is a painter I have been living in
Oud-Charlois for some time. It’s an area in the historical nucleus of Charlois
in the south of Rotterdam. I’ve heard stories about squats and anti-squatting
initiative put in motion long time ago - the “cleaning” of a problematic part
of the city for and with the artists. As a result, culture and artists are
today the foundation of the identity of this area. A lot of creative people
have found their piece of liberty here. I have the privilege of being
surrounded by artists, which allows me to directly enjoy all the spontaneity and
restlessness of those creative spirits in everyday life. That’s possible here.
Artists are acknowledged and have their role in society like any other
profession, and precisely that role of an artist often becomes apparent hand in
hand with his fight for work conditions and survival. That is not possible in
my country. The artist is in paradox. There are no squats, no anti-squats; art
organizations and associations are bureaucratic and sterile institutions
modelled on state institutions; as such, they don’t provide a place in society for
the artist. Despite the fact that he acquired his knowledge through rigid and
demanding education, his seemingly recognized profession as such is actually
completely unnecessary. In Netherlands some people use the phrase “left wing
hobbyists” with abhorrence, which illustrates their misunderstanding of artists
and their position in the world. In my country the similar phrase is merely
more civilised version of discrimination. The average attitude towards artists
is much more primitive - merely being an artist is reason enough to be beaten,
and the only existent art scenes are in the service of maintaining the regime
and not in the service of art society or society as a whole. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Oud-Charlois used to be a village, but it became part
of Rotterdam at the end of the 19<sup>th</sup> century. Because of job growth
in the harbour at the beginning of the 20<sup>th</sup> century, a large number
of apartments for workers were built here; today they are mostly incorporated
in the social housing project. Oud-Charlois has a special charm for me; its atmosphere
reminds me of the days I spent in my grandmother’s village in Vojvodina, the
region that has always been the most cultured part of Yugoslavia -
multicultural, hard-working, agricultural, progressive - similar to the Netherlands.
Maybe I’ve associated the two because of the feeling of relaxation which I
haven’t had the opportunity to experience easily since - it’s poor but not
miserable. The difference is huge - it’s human. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Overjoyed by the fact that one hundred fifty artists
live in Oud -Charlois, I’ve become interested in the process of enrichment of
the community (implementation of such simple and noble ideas). But the first
three things that pop out when you google Oud Charlois are crime, history and
problems in Rotterdam. Where is progress? What was it like before? What is the
future? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I don’t know much, I’m trying to understand and I know
how I feel when I process experience. The immediate reality is my neighbourhood,
a street with fifty addresses which artists use as work and living space. *<i style="mso-bidi-font-style: normal;">introduce a reader with crucial facts about
NAC, to explain the existence of this apartments, also it could be good to
mention statistics - how many people have lived/worked in spaces NAC managed
since 2004/</i><span style="mso-spacerun: yes;"> </span>They say that there used
to be a lot of different criminal activities, illegal immigrants and ruined
houses in the neighbourhood. Today it’s a quiet and neat street with playful
children. More than 170 different nationalities live in Rotterdam, especially
in Charlois, which has been an area of migrants since the beginning of the 20th
century. They settled here as workers to seek their fortune. Immigrants from
all parts of the world live here today; the poorest social classes, blue-collar
workers, people unable to work and “citizens of the world” - artists. More
artists live in Charlois than in the rest of the city, more than three hundred
of them. <span style="mso-spacerun: yes;"> </span>Because I still haven’t visited
the whole area, the upcoming festival is a great opportunity to see that rarity.
In one conversation I accepted the idea to, as a reflective visitor, note my
impressions.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">So, I made an itinerary based on the program. I was a
bit reserved and sceptical as far as my expectations were concerned for two
reasons: firstly, I don’t speak Dutch, so how was I to follow the program? But I
was quickly calmed by the fact that English is in wide use here and phenomenologically
speaking – it’s the possibility of adventures. The second reason was my
previous experience with a similar event. The ten-day festival of culture and
art in Charlois, Charlois Speciaal, arose from Kunstweekend, the two-day event
guided by the same idea of promoting <span style="mso-spacerun: yes;"> </span>culture
and art that live in the southern part of the city, “far” on the other river
bank, and presenting the other facet of the “notorious” area. Kunstweekend didn’t
seem to accomplish that goal, in my opinion. Lack of initiative, detachment of
the hither art scene from the other part of the city and alienation from the
neighbourhood left a dominant impression, possibly because I had just come to
Holland and therefore was vulnerable, but the number of visitors was without
doubt crushingly low - they were mainly participants and their close friends
and colleagues. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I didn’t aspire then (and I don’t now) to criticize
art as such and the offered art content of Charlois scene. I was interested in
context and the pivotal idea, which was, in my opinion, more important than any
individual artistic presentation. I was complaining then about the timing of
the event because it took place at the same time as the open art studios tour in
the northern part of the city. It is well known, and people often say, that no
one comes to Charlois without a specific purpose, especially when something
more interesting and closer takes place. This year the two events have also
overlapped partially, but the festival has surprised me. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Hundreds of artists on more than seventy locations have
participated in this festival in more than thirty projects and fifty open
studios. The content of the festival was partly organized by themes, probably
with a purpose to involve a large number of participants and provide setting
which could facilitate interaction with the community and attract visitors.
Dogs, food, textiles, gardening and tattoos maybe seemed like a trite choice,
but this context was beneficial to correspondence. I admit the enthusiasm
rubbed off on me. There were posters, fliers and programs everywhere and artists
were marking their locations, so I went to the opening. (PF1)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Mostly participants, artists and organizers gathered in
Oud-Charlois at a small park square of Karel de Stoute to mark the inauguration
of the festival and share the excitement and relief - the first <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Charlois
Speciaal</i></b> could begin! There were a lot of shiny, happy people in that
small park bathed in sunshine. Summer is the season of festivals in the Netherlands
and it seems to me that the Dutch especially know how to enjoy and appreciate
the beauty of a sunny day. Every green area easily becomes a lounge. Drinks,
snacks, chatter, speeches of revisions and support, applauses, music. Local
brass band composed of five Antilleans headed the first parade led by the
director of the festival Piet de Jong. There were more than fifteen locations
in three different areas just at the opening night. I couldn’t decide where to
go first, so I decided to follow the parade. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">The first location was the Maastunnel garage, where artists
Marlies Lageweg and Erik van der Geer held their exhibitions. There was an
exhibition of blown-up polaroid photos representing images of dogs in Charlois
on the ground floor of the garage, and DNA Rotterdam on the first floor,
reminder of the bombardment of Rotterdam which addressed the idea of the
connection between collective and individual memory, history and identity - a
good starting point. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Masstunnel connects southern and northern part of the
city, two banks of the river Nieuwe Maas. Built from 1937-1942, this tunnel
with separate lanes for cars, pedestrians and cyclists, situated below the
bottom of the river bed and 20 meters below the sea level, is almost 1400 meters
long and represents a symbol of modernization and progress of Rotterdam,
although it originated in the era when Europe was shadowed by the darkness of
the WWII when most of city centre was destroyed in bombardment in 1940. The
tunnel is a symbol of resistance. It evaded the Nazi demolition in 1944. Up to
this day it remains preserved and nurtured in the spirit of its original appearance.
Massive 16 m tall wooden stairways and the smell of machine oil tell their
story. The tunnel is a historical monument and the jugular that connects
Charlois to the centre of the city (which is quite close if you go this way).
Thousands of people use it to complete their daily responsibilities, and while it
represents a bond for the people in Charlois, the people of the north see it as
a kind of a border. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Right in the centre of Oud-Charlois, across a 600-year
old church, there is a Centre of Japanese culture (Japanese Culture Centre). It
opened ten years ago with an idea to familiarize a wider audience with Japanese
culture, religion and traditional arts through various activities. Learning of
Japanese language and martial arts, sushi and shiatsu courses are just some of
them. In this occasion the Centre opened the exhibition “Life in Technicolor”
of the Japanese painter Yoshiyuki Koinuma, who had stayed to live and work in
Rotterdam after an “artist in residence” program. The opening took place in a
pleasant and authentic atmosphere accompanied by traditional Japanese food. I
took some brochures about Shinto and moved on thinking how lucky I was to have
such an exotic situation near my home - a Japanese garden and a distant culture
seen up-close. (PF2)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I studied the program and realized that my intention
to see as much as possible was ambitious enough. There were more than twenty
events every day in different areas of Charlois and often at the same time, so
it was impossible to see everything. I decided to at least try to go to each
area, feel the atmosphere and not miss one-day events. The program didn’t help
me much because it was rather confusing; the content of the festival was
organized in different ways - thematically by projects, by locations, by the
names of the participants - and therefore pretty complicated. Though I noticed
a lot of mistakes, it was the only thing I could rely on. Besides, it was my
neighbourhood; I was going to manage somehow. I just wondered how it seemed to
some curious potential visitor from the opposite river bank and if it was confusing
or encouraging. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Many of us celebrated the first evening at the
Pavilion, a cafe with a terrace, a newly obtained location of the art
initiative Charlois aan het Water (Charlois on the waterfront) *<i style="mso-bidi-font-style: normal;">crucial facts</i>/ . On the way to the
Pavilion, towards Maashaven, I came across the project of the German artist
Antja Guenther “The future is to empty to inhabit“. (PF3) Eight posters
designed as an experiment of installations in public space, four textual and
four photographic, addressed the policy of public space improvement. I could
see the meaning of tetris logic in fragments. Displayed on the construction
fence in the middle of a road reconstruction, with splendid and huge skyscrapers
on Wilhelminapier designed by famous architects in the background, the posters were
very suggestive. I shook the discomfort off and rushed to the Pavilion - new
place, new enthusiasm, new refuge and new defence. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">In a former industrial area of the city block Tarwewijk,
between the road and the river, right on the riverbank is the Pavilion (aan het
water), an old barrack rearranged into two residence studios for guest artists.
First six months of the year it’s rent out to a guest artist and the rest of
the year it’s transformed into a cafe-restaurant. With the opening of the
Pavilion and its neat terrace within the project Charlois on the waterfront,</span><span lang="EN-GB"> </span><span lang="EN-US">the </span><span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">rough neighbourhood begins to breathe. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">After the hostess of “Aloradi night“ Janneke van der
Putten introduced audiovisual project “People and dogs”, there was a
performance of noise musician Gabriel Castillo and DJ Sierra, both from Peru.
The program was also part of the Aloradi exchange program, where the artists
from Peru presented their works in the Netherlands. During the rest of the Festival
in the Pavilion were held culinary and bakery open workshops. The food was the
ground for intercultural dialogue led by guest artist Silvio Palladino. The
motive of bread (lat.panis) sublimated in the necessity of com-pani-onship. (PF4)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">The first weekend of the festival was a blast.
Although the weather changed, this new Charlois was shiny and bright. There
were so many open doors in the streets! It was one thing to read the numbers of
locations and a completely different thing to feel the energy of the streets with
so many doors wide open, whose humble walls hid authentic oases of the creative
world. There were as many as fourteen open studios in Gouwstraat and three
studios in Wolphaertstraat, along with Wolfart Project Space, a gallery which in
this occasion also became a radio station that broadcasted Rotterdam Art and
Radio (RAAR) three hours a day, every day of the Festival. RAAR included
discussions and debates and live performances of local musicians, and
everything was streamed live on the Festival website with the host Joshua
Thies. At same place photography exhibition of Robert de Hartogh depicted the
history of migrant workers in Charlois who started to come here in the 1950’s from
Spain, Turkey, Italy and Morocco looking for work in the harbour and in big
companies. (PF5)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I headed towards Maastunnel, southern exit for cyclists.
Two Turkish men from two generations played traditional Turkish instruments
davul and zurna. (PF6) It was conceived as an authentic welcome to everyone who
would exit the Maastunnel in Charlois and possibly visit the Festival. The
sounds filled the air and without a doubt woke up the whole neighbourhood. The
older man explained that his instrument was even louder in his native Turkish
highlands, where the sound bounced off one hill and echoed to the other. At the
same time he was waving his hand as if playing zurna here didn’t give him much
pleasure. On the other hand, for the younger musician, and probably for many
generations, Dutch lowland represented home. I was thinking about relativity of
alienation and how “far” Charlois was from the other river bank, rooting for
the Festival to make some progress in that regard. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">As the day passed it was sunnier and sunnier and I met
more and more people holding the CHS magazine in their hands and heading to the
festival. There was a crowd around a local pet shop, where Q.S.Serafijn organized
photo sessions with dogs titled “All the values of Charlois” in an improvised
mobile studio. Dogs posed with collars labelled “Charlois” and their proud
owners got free pictures. Enthusiastic owners jostled, mostly women who
badgered their pets insisting on a “perfect smile”. (PF7)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">On the way to the Carnisse city block I attended the
exhibition in De Charloisse Poort. (PF8) Apart from a show room, De Charloisse
Poort has a work space and a sculptural workshop of Frank Heijnen, and also serves
as a living and work space for the residents. Down the same long street almost
at every corner are fast food kiosks and restaurants; Surinamese, Polish,
Hungarian, Turkish, Italian, Greek, antique shops and greengrocer’s shops, internet
booths offering low-cost calls to Africa, and three more open artist’s studios.
I walked there almost every day without knowing or thinking about the “art content”
of the street with its charming sources of carelessness and warmth. After
discovering them, I was excited to experience more. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">As I moved further away from the centre of Oud -
Charlois, towards Carnisse, the atmosphere became more and more burdensome.
Despite the poverty, something that people who live in Charlois definitely have
in common, the neighbourhood seems peaceful and welcoming.<span style="mso-spacerun: yes;"> </span>I notice more and more frequently that houses
under the responsibility of housing corporations and real estate companies are
being sold rather quickly after a bit of embellishment – verkoht! More and more
people look for affordable housing, and Charlois is gradually becoming a decent
neighbourhood. Carnisse is a central and also old pre-war part of Charlois,
inhabited especially by Polacks in the past few years (that’s my impression).
In close proximity to one of many Polish shops, Turkish market and Aldi is
situated Carnisse cultuurwerkplaats, culture workshop founded by the people
from this neighbourhood with a purpose of improving life in the community. I
found out that it is also a project of associations Zuidzijde* and was initially
supported by Museum Rotterdam, the former Historical Museum Rotterdam, which
was interested in an idea of preserving current reality as future history.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Performance and presentation of activities of the
workshop were announced. “The original southerners with love for the South”
organize themselves and hold various events, exhibitions, courses, children
workshops, presentations and group dinners and breakfasts, showing their
neighbourhood that they are there for each other. They’ve seen a chance for better
life in deploying their goodwill. The atmosphere was cheerful and gradually
became more and more loud and hilarious accompanied by sounds of live music. At
first glance everything seemed a bit surreal and confusing. I watched passersby
– at first they would be surprised and watch their playful fellow-citizens with
a bit of irony, but soon the optimism of the good people of Carnisse would put
a smile on their faces. The crowd were rising; everyone was there, from brawny Polacks
and sleek Chinese to a shy old lady who only slightly opened her door, a
Turkish family and some blue-collared workers. Instead of alienation, their
playfulness radiated humanism. That experience refreshed me – life survives
through improvisation, curiousness, creativity and humour. <span style="mso-spacerun: yes;"> </span>(PF9)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I discovered a charming, discrete place Koffie &
Ambacht nearby and found out that <span style="mso-spacerun: yes;"> </span>concerts
and other events took place there three years in a row. Within the Festival
Eveline de Jonge organized poetry reading and a concert of musicians from Charlois.
I didn’t know whether or not I would be able to attend the event, but I already
gained by discovering a mosque nearby. Furthermore, a Dutch man apologized to
me for the bombardment of Serbia in 1999. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">On the east side Carnisse exits towards Zuidplein shopping
centre, the main shopping centre in the southern Rotterdam. It was built in the
1960’s and is one of the largest shopping centres in the Netherlands and there
are regional bus and metro stations also. It is peculiar because it’s not so popular
despite its size and equipment. Customers doubt their safety because the centre
is in the poor neighbourhood and also because a large number of people
circulate here. As a part of socially conscious art project, Erik van Lieshout used
to run a shop in Zuidplein during a certain period of time under the motto “the
real luxury is not buying”. He didn’t sell anything, but rather communicated
with other shop-keepers and people from this poor blue-collar neighbourhood.
The film made as a result of this project was screened within CHS in Piekfijn,
the largest second-hand shop in the neighbourhood, favourite amongst many
people from this area, where you can find virtually everything for less than 5
Euros. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">During workweek Ko de Kok and Florian Borstlap installed
their specially designed pop-up music studio in the middle of the shopping
centre, animating ”ordinary people” to participate in the creation of the music
album “Soul of south”. Photographer Corrie Kruif, who along with four other
artists creates in a vacant part of one primary school nearby, also found the inspiration
for her new project “Women” in the intensity of Zuidplein’s atmosphere. She
took pictures of women of different ethnicity, women from Charlois that she met
at the shopping centre or metro station, thus exploring similarities and beauty
of diversity. <span style="mso-spacerun: yes;"> </span>(PF10)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">On the south of Carnisse is situated Zuiderpark, a
huge, green futuristic oasis. This urban park with wide, green areas, waterway,
little beach, courts for skateboarding and basketball, training equipment and
playground, is a real paradise for barbecuing. When the weather is nice,
families or migrant couples from all parts of the world come here to enjoy
themselves. The first time I saw this park, full of people and all surrounded
with greenery, it seemed completely exotic, like a scene from SF movie about
some utopian community. The park in itself is impressive, but I doubt that it
has many visitors apart from the people from the neighbourhood, except when
it’s in the focus of interest during music and other events. That oasis divides
old part of Charlois from post-war city quarters Zuiderwijk and Pendrecht.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Tens of thousands of homes were destroyed in the WWII
and tens of thousands of people were left without a roof over their heads. Pendrecht
was built out of city’s need for living space in the 1950’s with the idea of
making a healthy, green and multicultural neighbourhood where each block would
completely satisfy the needs of its dwellers of all generations. Today the
concept of an ideal mix is nowhere in sight. A large population in Pendrecht was
attracted from all over the world, people unable to find affordable living
conditions anywhere else. Pendrecht even has had a bad reputation for a long time.
In order to improve that image in the media, people organized a campaign to
choose a hero citizen of the month, a positive example for each month. The
campaign was successful and despite its poverty, this city quarter is now seen
as a decent and safe refuge. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">After the reconstruction in 2009, a project titled
Window Tales in which artists made 56 stained glass windows in halls of
reconstructed buildings; Pendrecht is now in the process of another
reconstruction. <i style="mso-bidi-font-style: normal;">*crucial facts/</i> ''Worlds
of...'' is an ongoing project presented to us by artist Kamiel Verschuren during
a night tour through three streets in Pendrecht. Thujs Ewalts, Laurien Dumbar,
Tom Gallant and Kamiel Verschuren are artists participating in an art project
based on renovation of four residential blocks with a purpose of enrichment of
living space and everyday life of the tenants. New vertical windows are done in
digital assemblage stained glass. Besides bringing more light into narrow, dark
halls, they depict motives and elements of diverse discourses of civilization,
everything that represents the World, its different fields, world of community,
statistics, science, geography, physiology, nature, animals and plants,
underwater world, physiology, astronomy, archaeology, alphabet, domestic science,
history of human rights. These images-information-suggestions, these palimpsests
of a sort open associations and points of view; they provoke and let you in to
the variety and complexity of human world. The tenants are to receive a project
brochure, when they move in, in which the content of the display’s vertical
line will be explained through a lexicon of a sort. I imagine... I think about
the kids who will rush down those stairs a couple of times a day, play in front
of the entrance between images that will awake their feelings, curiosity,
imagination, open questions and new perspectives. (PF11)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">As the night is falling, I watched the neighbourhood
through heavy rain, its uneasiness, isolation, painstaking fights for survival,
and I accepted to believe that there really was that type of social care, not
limited to conditions of mere survival, but also led by the idea of nurturing
the beautiful, the noble and the humanistic as equally important human needs,
where the role of artists was irreplaceable. Wasn’t this Festival a testimony
of that fact? <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I inadvertently chose what else to see in Tarwewijk. In
the north-east of Charlois, along and beyond Maashaven, down the river and old
and new grain processing factories, storages and silos, towards Metro station
Qeen of the South, starts a hard-core atmosphere. They say that Tarwewijk used
to have a high crime rate and that the situation has improved over the past few
years. There were two open studios in the close proximity of the metro station,
and on a one building window next to the busy road there was an installation
for performance - artist Sara Pape García opened wide the door of her
apartment. It was an interlacing of street and intimacy, the private and the public,
burden and play. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">A bit further was opened Studio Wandschappen, where
art and design combined in the work of art couple Nicole Driessens & Ivo
van der Bar. The exhibition “Cityscapes”, opened within CHS, presented visual
and social elements of Charlois. Enlarged photographs of piles of garbage and
discarded furniture on the streets in front of houses were a testimony of
migrations in Charlois. One of the reasons for those “street sculptures” was
the fact that people were often obligated to move out of the apartments that no
longer were able to pay for, or the apartments designated for renovation and
therefore no longer affordable. They moved out leaving poor inventory of their
homes on the street. (PF12)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I was definitely going to miss lot of the events; the
program was still confusing. I watched other visitors; I recognized some of
them, mainly people who were related to art in one way or another. I wanted to
know how many people from the neighbourhood visited the Festival and what it
meant to them, whether they noticed it or not, and in what way. I accepted the
fact that I wouldn’t be able to see everything, and maybe there was no need. I
was sure most of the visitors didn’t even try; they usually stayed where food
and drinks were. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">It was sunny again; the day was perfect for events at Heijplaat
– a revelation of the Festival for me. Heijplaat is a city quarter accessible
only through industrial park Waalhaven Zuid. It is rather remote and
inaccessible, so the organizers of the Festival made an effort not to let this
jewel be forgotten and arranged transport by minibus. Heijplaat was built at
the beginning of the last century for shipyard workers (RDM, 1904.) In the
early 1920s it was an independent community cut off from the city. In the 1930s
quarantine facility was built here, made for sailors who were coming back from
distant seas infected with various diseases but due to the development of Penicillin
during the war the Quarantine was never used. Artists have been living in a
complex of buildings Quarantine Station Heijplaat for 30 years now. With more
than thirty artists who live or work here this is the oldest living art
initiative in Rotterdam. <i style="mso-bidi-font-style: normal;">*crucial facts/</i>
For this occasion about fifteen artsits and </span><span lang="EN-US" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">cultural
producers organized an enjoyable program at Heijlplaat</span><span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">; Wim van Egmond, Helmut Smits, Harm Goslink, Davide
Iserief, Masja Immink and many others. Parts of intact nature, the only natural
river beach in Rotterdam, magical atmosphere of a hidden location, program that
includes workshops, exhibitions, screenings, promenades, storytelling and a lot
of music, all contributed to an authentic enjoyment. <span style="mso-spacerun: yes;"> </span>It’s impossible to describe Heijplaat, you
have to experience it. It’s a peaceful oasis far from the asphalt jungle with a
view of Schiedam, situated behind massive tanker ships and gigantic dock
buildings. You feel like you are many kilometres away, in another climate, and
not here in Charlois. (PF13)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I was back in the old centre to attend a photo
exhibition in Oude Kerk. Stacii Samidin allowed us to take a peek at otherwise
invisible small religious communities and sense a conglomerate of subcultures
in this ethnically colourful neighbourhood. (PF14) Someone jokingly said: “What
kind of a church is this? It doesn’t even look like a church!” Indeed, if
you’re from Chile or Serbia, you’re not used to churches being rented as public
spaces and opening their doors to various secular events. I didn’t let myself
think too much about it; I wanted only positive things- after all, I was at a
festival! - There were books of the Holy Scriptures in four languages on a
shelf at the entrance. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Opposite the church is gallery Hommes, the only one in
this neighbourhood up to recently. Gallery has been trying to support artists
from Charlois for years; in this occasion it organized its program completely around
the topic of Dogs. There were lectures, screenings, poetry readings and dog
parades - it was friendly and fun, as it usually is with dogs. (PF15)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">The whole neighbourhood has been improved over the
past few years. It’s taken time to make it appealing and somewhat recognizable
as an art zone. It seems to me that the ordinary audience, the one not related
to Charlois art scene in any way, has mainly been visiting precisely Oud
Charlois, an authentic little cultural centre, not daring to expand the circle.
<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Recently opened Rib gallery, with its conceptually
oriented program and intellectualism so to speak, has also found its place
here. (PF16) I believe that as a result of that, young artists, students and
people from this field visit the neighbourhood more often, attending the
exhibitions or at least the openings. An architectural bureau and a fashion
studio have also been opened here recently. Fashion studio of Al Mamoun Benmira
is right at the corner of the streets Wolphaertstraat and Gouwstraat. Once a
bit unattractive, this corner is now embellished with large studio windows on
three sides. The studio exits on both streets and unburdens and enriches them
with its transparency, giving them an exclusive and relaxed look. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Artists have obtained most of these living and work
spaces through their autonomous, self-organized associations. The aforesaid
initiative Quarantine lasts about 30 years. NAC, New studio Charlois, </span><span lang="EN-US" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">an
independent non-profit organization, established in 2004 </span><span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">is a special fighter responsible for about hundred
addresses. As I said, there are now more than ten impressive studios in
Gouwstraat*; the street was a beautiful sight during the Festival. Pottery of
Bert Kloppers, textile of Maaike Gottschal and paintings of Ruud Goedhart are
just some of the contents of this street’s creative life. There’s also an art
book shop Walgenbach art & books here with a wide offer of books about
visual arts, and in this occasion it served as a show room for the exhibition
of drawings and graphics of Hans Andringa. I left with an unforgettable
experience from open studio Panos pianos. Without having a clue what to expect
and being in a hurry, I opened the door and found myself directly in front of
the stage during the intermission. The classical music concert continued; there
were only two of us in the audience, but never mind, it was magical! The stage
is normally used for performances, workshops, and theatre and film screenings. (PF17)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Not far away is situated Pompstraat studio complex. It
is living and work space of the artist Jasper Niens, along with five more
studios.* Apart from opening their studios, artists organized a very charming
event within the Festival, which communicated with the neighbourhood maybe more
than other events. Despite the bad weather, artists followed their original
idea of pleasing and animating multitude of Turkish, Antillean and Surinam
kids. The kids drew on a broad floor of a former garage and let their
imagination and spontaneity run wild; photographer Mladen Suknovic made every
little participant a polaroid portrait. (PF18)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">While the first Saturday of the festival was a blast,
the second weekend wasn’t particularly promising and there were far less
visitors. Conceived as a celebration of summer, the parade of artist Jacco
Weener and his entourage, titled “New seasons”, set off from Oude Kerk
accompanied by light rain. Unfortunately, the event attracted very little
attention. The parade headed to Otje. (PF19) Het Otje is an art initiative in
two residential blocks with a shared yard that artists also obtained through
the organization NAC more than ten years ago. *<i style="mso-bidi-font-style: normal;">more facts/</i>It’s reorganized today and includes more than thirty
living and work spaces, exhibition space Club Atent and a shared garden and
greenhouse made by artists themselves. The Balcony festival is an event in
which the artists stage art and music performances of various genres from their
balconies, while the audience watch from the garden transformed into public
space for that occasion. The rain that disrupted the event put me in a bad mood
and I headed to B.a.d. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Behind Foundation B.a.d. lies a very interesting,
almost 20-year old story. Another art initiative, the B.a.d. foundation, turned
a squat in an old school building into a long-term lease. Apart from shared
exhibition space situated in an old school hall, there are three residence
studios for guest artists, six apartments and eighteen studios for more than
twenty artists in this reconstructed building today. *<i style="mso-bidi-font-style: normal;">crucial facts/</i> The artists arranged live 3D Magazine for the
Festival, allowing us to feel the atmosphere of their daily efforts. Old and
new works were presented in the hall and in open studios, along with a special
program which included various performances, discussions, video-presentations,
video-projects and photographs, work of Marco Douma, Anique Wave, Jannine
Schrijver, Jeroen Jongeleen, and many other contributors. There was a flier in
front of every studio - visual and conceptual description of artist’s
occupations so after visiting all studios in a particular order and collecting
the fliers, every visitor would have an art magazine of the festival B.a.d. in
his hands. (PF20)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">After the inevitable refreshments, I went to the final
party. (PF21) Although the end of the Festival wasn’t until the next day,
Saturday night was the perfect time for the Pavilion to gather the
participants, organizers and other people of good will once again. We danced
away all our worries, fatigues and expectations from the past ten days. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">A bit tired from the party, I faced the last, tenth
day of the festival – Sunday. Luckily, I found Tess Wijnen’s subtle story at
the corner of the street Boergoense Vliet. The artist organized an unusual tour
of the street she lived in, a walk with headphones transmitting street sounds -
splash of a fountain, bird tweets, chatter, dog barks, trolley and interview
with neighbours; in the church, Polish shop, coffee shop, on a bench. Although
I don’t speak Dutch, I embraced this unusual experience of perception layering
and sharing intimacy with the street on a sunny afternoon. (PF22)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I continued towards XX Multiple Gallery.* During the
Festival this old farmhouse with authentic exterior and with interior transformed
into an exhibition space, situated near trolley line number two turntable, served
as a location for Charlois’ wine tasting. Sicilian artist Giuseppe Licari transferred
his passion for growing grapes and making wine onto his colleague artists. With
a help from other enthusiasts, he has been producing a limited collection of
different sorts of wine in Charlois every year since 2009. Wine is then sold at
auction during the presentation. And so the Charlois wine is gradually becoming
an authentic little tradition. Although most visitors were still hung-over from
the previous night, we were all left with an impression that the wine was a
perfect medium for promoting multiculturalism. (PF23)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Behind XX Gallery lies Wielewaal; this was where CHS
ended for me. This city quarter was also built in order to provide new homes
after the destruction of Rotterdam in WWII. This is a bit cramped neighbourhood
with narrow streets and rows of about five hundred fifty small one-storey
houses with yards, originally built as temporary homes. Some are occupied by
artists on the same principle of favourable living and work spaces obtained
from housing companies.* It was deserted and a little girl was telling me
something. I realized that she wanted to direct me towards an event in front of
one of the small houses. French artist Elise Guilhard who lived and worked
there was presenting her projects; just like at the beginning of the Festival
in Maastunnel, it was an encounter with the history of Charlois, this time even
more remote. In fact the name ‘’Charlois’’ originated in the 15<sup>th</sup>
century when Philip of Burgundy gave his son Charles the Bold today’s Charlois
area. Charles named it after himself - Charollais, which later became Charlois.
I found out that there was also Charollais County in France named the same way as
Charlois and that this connection motivated the artist to open a dialogue with
both communities. (PF24)<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Isn’t that what artists do - connect, make bridges and
reshape? Today as we witness one “crisis” after another and while all types of
threats flow into one basic - threat to the humane, the artist is a shield.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">The artist’s position in society is always more or
less dual. He is always detached from society to an extent; immersed in the</span><span lang="EN-GB"> </span><span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">uniqueness of his perspective
and sensibility; and at the same time he is organically integrated into
society, </span><span lang="EN-US" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">focused on the development of the
environment, </span><span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">watching over its
primordial value - its culture.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Artists in Charlois share poverty with their
neighbours; but they enrich the environment they live and work in. Using their
creativity, as unique participants in social processes they subtly channel and
absorb all levels of consequences of social changes, and thus contribute to the
wider community in the long term.</span><span lang="EN-GB" style="color: #3384aa; font-family: "verdana"; font-size: 9.0pt; line-height: 115%;"> </span><span lang="EN-US" style="color: #3384aa; font-family: "verdana"; font-size: 9.0pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Arts initiatives arose precisely from the recognition
of that purpose, which at the same time represents the artist’s fight for basic
living conditions; </span><span lang="EN-US" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">managing and creating affordable living and
working spaces means supporting artistic practice and vice versa. </span><span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">It’s encouraging to know that the authorities have an
ear for them. </span><span lang="EN-US" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">Maybe that was exactly the main purpose of the <i style="mso-bidi-font-style: normal;">Charlois Speciaal</i>. Those ten days didn’t
just revolve around art, festivity, socializing, music and food (although the
audience is always mostly drawn by these elements). The festival also
represented discovering and getting to know these values, which is Charlois’
specialty; it’s what makes it extraordinary, and I would say - exemplary. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;">I look forward to the next CHS. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<span lang="EN-GB" style="font-family: "times new roman"; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span>Sanja Tuškan<o:p></o:p></span></div>
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Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com1tag:blogger.com,1999:blog-2008288984781658585.post-37905569183496118212016-06-10T00:00:00.000-07:002016-07-08T05:35:22.870-07:00CHARLOIS SPECIAAL 10th till 19th of June<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;"><b>CHARLOIS SPECIAAL</b> is a brand new art festival to take place for ten days in Rotterdam South. With an inspirational cooperation between local artists and residents in the Charlois area, projects and artworks at an international level will be installed en route the workplaces of artists living in Charlois. Attend lectures, performances, and pop-up exhibitions at unusual locations. There’s music, and of course plenty of food and drinks. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<u><span style="font-family: "georgia" , "times new roman" , serif;">The following projects are financed by the MYA Fund during <b>CHARLOIS SPECIAAL:</b></span></u><br />
<b><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></b>
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<i style="font-family: Georgia, 'Times New Roman', serif;"><span style="font-size: x-small;"><br /></span></i>
<i style="font-family: Georgia, 'Times New Roman', serif;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">RAAR (Rotterdam Art And Radio), Joshua Thies</span></i><br />
<i style="font-family: Georgia, 'Times New Roman', serif;"><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;">Check: http://joshuathies.blogspot.nl</span></i><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Groepsportret
met Papegaai, Cultuurwerkplaats Carnisse</i></span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Check: http://cultuurwerkplaatscarnisse.nl/charlois-speciaal-in-beeld</i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><span style="font-size: x-small;">Wine and Grappa tasting, Guiseppe Licari</span></i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-small;"><i>Yves Klein Blue Project, Studio Pompstraat</i></span><br />
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<i><span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><span style="border: 0px; margin: 0px; padding: 0px; vertical-align: baseline;">HONDEN TATOEAGES TEXTIEL ETEN TUINIEREN, </span>PAE </span></i><br />
<span style="font-family: "arial" , "helvetica" , sans-serif; font-size: x-small;"><i>Check: http://performanceartevent.nl</i></span><br />
<i><span style="font-family: arial, helvetica, sans-serif;"><br /></span></i>
<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;">For more information about <b>CHARLOIS SPECIAAL </b>check:http://charloisspeciaal.nl</span><br />
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Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-48009638684085613822016-06-01T05:57:00.000-07:002016-07-08T05:58:22.189-07:00Paniljoen a/h Water <div class="separator" style="clear: both; text-align: center;">
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http://charloisaanhetwater.nl/paviljoen/</div>
<br />Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-76809970830788048162016-04-14T12:36:00.000-07:002016-05-17T12:36:52.801-07:00"SONIC LINK" by Joshua Thies
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<span style="font-family: 'Times'; font-size: 9.000000pt;">Using vibration speakers attached to the glass vitrines, each location will be transformed into audible artworks. The ambient
sound of one location will be transferred to the opposite location creating a sonic link between the two spaces. This work
acts as a promotional tool for events in WOLFART Projectspace at a central location on the Witte de Withstraat. It also
becomes a platform for artists in Oude Charlois to share their audio art with a wide variety of visitors in a public space. A
large vinyl sticker at the back wall of each vitrine will display a text about the project and the artists involved. This work
can also serve as a preview for upcoming Charlois Speciaal Radio Program in June. </span><br />
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Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-77560176599395043032016-03-19T12:37:00.000-07:002016-05-17T12:47:41.417-07:00Short cut Tarwewijk (Rotterdam), Stijn Van Dorpe<h4>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB8LnU-xxkrGEpM12WaHoE6LKqMVqEHI6i18T2HzofYMlR6hTa9PX9DS56mV3hoBBzrxg0OAxMjpTkWkau_IrQsJUNykptmy7mI8GYkOqfxXV7V50cJ2feGVuaekv2nOTct03VV_EMZ_Y/s1600/DSC_0052+-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB8LnU-xxkrGEpM12WaHoE6LKqMVqEHI6i18T2HzofYMlR6hTa9PX9DS56mV3hoBBzrxg0OAxMjpTkWkau_IrQsJUNykptmy7mI8GYkOqfxXV7V50cJ2feGVuaekv2nOTct03VV_EMZ_Y/s200/DSC_0052+-1.jpg" width="200" /></a><span style="font-weight: normal;"><span style="font-family: Georgia, Times New Roman, serif;"><span style="background-color: white; color: #4b4f56;">‘Short Cut Tarwewijk’ is een project in samenwerking met bewoners van de Tarwewijk en uitgevoerd door kunstenaar Stijn Van Dorpe (B).</span><span style="background-color: white; color: #4b4f56;">Een wandelende lijn mensen doorkruist de Tarwewijk waarbij zij zowel openbaar als privéterrein doorsteken. Zo zullen de wandelaars bijvoorbeeld een voordeur binnengaan, en via de tuin van de achterburen in een andere straat weer naar buitenkomen. Het traject wordt vooraf volledig voorbereid en over iedere doorsteek is onderhandeld met de bewoners of eigenaars zodat de wandeling zonder onderbrekingen kan verlopen.<br />
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<span style="font-family: Georgia, 'Times New Roman', serif; font-weight: normal;"><br /></span></h4>
Foto’s gemaakt door: Eva Olthof, Helen Anna
Flanagan, Phil Hession, Rick Peters, Gerwin
Luijendijk, Javier
Lloret, Sighle Bhreathnach-Cashell, Madison Bycroft, Tor
Jonsson, Maria Witteveen, Bas Noordermeer, Lisanne Hoogerwerf, Kari
Robertson, Mat Do.</span></span></h4>
Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-91605131041029797332015-12-12T02:34:00.000-08:002015-12-27T02:35:58.766-08:00Rib opening 12/12/15<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="background-color: white; line-height: 16px;">Rib is a new exhibition space in Rotterdam. For more info check: </span>http://www.ribrib.nl</span>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-77039788976323770312015-09-27T08:04:00.000-07:002015-12-27T02:44:29.594-08:00The taste of Wielewaal<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDQJY-oaBf8noxwfMDegBDn8rjsNibfxka1J_JDFu6OAgWEmNDtUp_2zVtjzgepJ2Y8nrawQazPFA58qqNCz76QIuNCP-nzKlg_4trnimqiRxpwIZljdQIxqCQru2OUYHU3JoIOXWa-uY/s1600/11232713_1680678865501131_3970777754766860305_n.jpg" imageanchor="1" style="clear: left; display: inline !important; font-family: helvetica, arial, sans-serif; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDQJY-oaBf8noxwfMDegBDn8rjsNibfxka1J_JDFu6OAgWEmNDtUp_2zVtjzgepJ2Y8nrawQazPFA58qqNCz76QIuNCP-nzKlg_4trnimqiRxpwIZljdQIxqCQru2OUYHU3JoIOXWa-uY/s320/11232713_1680678865501131_3970777754766860305_n.jpg" width="320" /></a><br />
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<span class="Apple-style-span" style="color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 18px;">A positive statement by the community to show how fertile and valuable the Wielewaal is.</span></div>
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<span class="Apple-style-span" style="color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 18px;">During a period of 3 months several people from the Wielewaal produced jams, chutneys and cremes with </span><span class="Apple-style-span" style="color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 18px;">ingredients from the neighborhood.</span></div>
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<span class="Apple-style-span" style="color: #141823; font-family: helvetica, arial, sans-serif; font-size: 14px; line-height: 18px;">For more information check: https://www.facebook.com/thetasteofwielewaal</span></div>
Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-65956747316741083962015-09-12T02:43:00.000-07:002015-12-27T02:47:24.333-08:00Invisible Architecture by Janneke van der Putten and Christian Galarreta<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif;">Invisible Architecture in de Maastunnel is in september 2015 aangevangen met een geconcentreerd onderzoek naar de akoestische eigenschappen van dit monument, door middel van performatieve interventies, luistersessies (ook geblinddoekt), geluidswandelingen, rondleidingen, workshop, ontmoetingen en interviews, archief materiaal, geluid-, foto- en video opnames. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Christian Galarreta en Janneke van der Putten hebben in nauwe samenwerking met de beheerders, concierge en beveiliging van de Maastunnel verschillende (in de regel ontoegankelijke) ruimtes mogen observeren en documenteren. Met het oog op een komende langdurige restauratie van het gebouw is dit project een reflectie op dit historische monument.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">De workshop op locatie vond plaats op Open Monumentendag, 12 september. Het was een zeer intensieve ervaring van zes uur samen met de zes deelnemers. In de bijlage is een referentie gevoegd, geschreven door één van de deelnemers. Dankzij de hulp van vrijwilligers op Wolfart Project Space kon de workshop in deze ruimte worden geïntroduceerd en afgerond. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Het project en de workshop zijn op video vastgelegd door Mihail Bakalov, en in geluid door Christian Galarreta en Janneke van der Putten. De flyer is door Janneke van der Putten ontworpen en in een editie van 300 prints uitgegeven. Het is op locatie aangeboden gedurende de werkzaamheden in september en communiceerde het werk naar de passanten toe, behalve mondelinge dialogen met geïnteresseerden. Het project is tevens via het interne netwerk van de Gemeente aan 10 000 ambtenaren bekend gemaakt. Zie beneden dit bericht online links die ter communicatie dienden.</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">In de lente 2016 zullen de resultaten van het project gepresenteerd worden. Het Mya-fund heeft samen met Gemeente Rotterdam dit proces gesteund en mogelijk gemaakt. </span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Link </span><span style="font-family: Arial, Helvetica, sans-serif;">Open Monumentendag: </span><span style="font-family: Arial, Helvetica, sans-serif;">http://openmonumentendagrotterdam.nl/activiteiten/workshop-invisible-architecture-maastunnel/</span><br />
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<span style="font-family: Arial, Helvetica, sans-serif;">Facebook workshop: </span><span style="font-family: Arial, Helvetica, sans-serif;">https://www.facebook.com/events/756583334450718/</span>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-63944820576652465952015-08-20T04:35:00.000-07:002015-12-27T02:48:34.486-08:00REPORT 'Sculptures by Houses' by Elise Guihard<div class="separator" style="clear: both; text-align: center;">
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<span style="background-color: white;"><span style="font-family: Georgia, Times New Roman, serif; line-height: 19px;">From August 17 to 21, Elise Guihard dropped off sculptures in the streets of Charlois. </span></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="background-color: white;"><span style="line-height: 19px;">The sculptures are connected to a special website: </span></span>http://sculpturesforhouses.hotglue.me.<span style="background-color: white; line-height: 19px;"> Finders can post pictures of the new place of the found sculptures on this website. Enjoying the arrival of photographer Estelle Chaigne, others projects with photography and sculpture will be done in the streets.</span></span></div>
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<span style="background-color: white;"><span style="font-family: Georgia, Times New Roman, serif; line-height: 19px;">REPORT will show all these actions that were carried out during this week. REPORT is a part of the overall project of Elise Guihard, "SCULPTURES FOR HOUSES" : several ways to get - indirectly or directly - in touch with inhabitants of Charlois and make sculptures in their home.</span></span></div>
Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-28705051018520576822015-07-31T10:03:00.000-07:002015-12-27T02:49:40.356-08:00<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, Times New Roman, serif;">The Mya Fund started an active collaboration with STADNOMADEN (http://www.stad-nomaden.nl) in Charlois, Rotterdam. Following artists/creative producers of the NAC Foundation participated during this event:</span><br />
<ul>
<li><span style="font-family: Georgia, Times New Roman, serif;">Alejandrea Huerta (http://www.studioalerta.com)</span></li>
<li><span style="font-family: Georgia, Times New Roman, serif;">Ieke Trinks (http://ieketrinks.nl)</span></li>
<li><span style="font-family: Georgia, Times New Roman, serif;">Bjefke Bonnema</span></li>
<li><span style="font-family: Georgia, Times New Roman, serif;">Jacco Weener</span></li>
<li><span style="font-family: Georgia, Times New Roman, serif;">Lisanne Hoogerwerf (http://lisannehoogerwerf.nl/en/)</span></li>
<li><span style="font-family: Georgia, Times New Roman, serif;">Joshua Thies (http://joshuathies.blogspot.nl)</span></li>
<li><span style="font-family: Georgia, Times New Roman, serif;">Bert van Bommel (http://www.tuttitimbri.nl)</span></li>
</ul>
<span style="font-family: Georgia, Times New Roman, serif;">For more information about the event please visit: http://www.tentakel-festival.nl</span><br />
<br />Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-30494794439002115602015-07-14T10:18:00.003-07:002015-09-25T04:19:54.053-07:00Bazar Bizar 2015<div class="separator" style="clear: both; text-align: center;">
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Photographs by Ricky Doornbos. For more information about the festival please visit: http://bazarbizarrotterdam.nlNac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-20468076201143729402015-06-21T04:14:00.000-07:002015-12-27T02:50:09.279-08:00LE CORPS EN TANT QUE MEDIUM by PAE<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, Times New Roman, serif;">LE CORPS EN TANT QUE MEDIUM</span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><span style="color: #444444; line-height: 24px;">Performances by:</span><span style="color: #444444; line-height: 24px;"> </span>Mathieu Bohet | Yérri-Gaspar Hummel | Antonio Chipriana | Sandrine Lehagre | Vanita Monk</span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><strong style="border: 0px; color: #444444; line-height: 24px; margin: 0px; padding: 0px; vertical-align: baseline;"><br /></strong>
<i><strong style="border: 0px; color: #444444; line-height: 24px; margin: 0px; padding: 0px; vertical-align: baseline;">PAE</strong><span style="color: #444444; line-height: 24px;"> is a non-profit initiative that is run by the artists Nina Boas and ieke Trinks who find it important that performance art can be experienced live in order to contribute to a lively discourse about the form. This event is made possible with the financial support of Mya Foundation / New Ateliers Charlois and the help of the volunteers and artists.</span></i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i><span style="color: #444444; line-height: 24px;"><br /></span></i>
For more info check: http://performanceartevent.nl</span>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-51649579560770945322015-03-29T10:33:00.000-07:002015-07-14T10:34:07.915-07:00'CHARMOISE CHARLOIS' by Beatrice Sarosiek<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Arial, Helvetica, sans-serif; font-size: x-small;"><span style="background-color: white; line-height: 22px;">Tijdens South Explorer, op zondag 29 maart van 16:00 tot 20:00 presenteert paviljoen </span><em style="background-color: white; line-height: 22px;">… aan het Water</em><span style="background-color: white; line-height: 22px;"> het interactieve onderzoeksproject </span><em style="background-color: white; line-height: 22px;">Charmeuse Charlois</em><span style="background-color: white; line-height: 22px;"> van Beatrice Sarosiek (IT), i.s.m. Faithful to the Subject, Pauline Schreurs en Jitske Wadman. Voor meer informatie: </span>http://charloisaanhetwater.nl, http://southexplorer.nl</span>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-74201624825499166792015-02-05T00:00:00.000-08:002015-03-24T05:16:10.447-07:00THE RIDE<div class="separator" style="clear: both; text-align: center;">
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<span style="font-weight: normal;"><span style="font-size: x-small;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">During ART Rotterdam (</span>http://www.artrotterdam.com)<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;"> a free taxi service connected Art initiatives between the South and the North of Rotterdam. Artists presented time based works in vans during THE RIDE.</span></span></span></h3>
<h3>
<span style="font-weight: normal;"><span style="font-size: x-small;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;"><br /></span>For more information check: <a href="http://cargocollective.com/wolfart-rotterdam">http://cargocollective.com/wolfart-rotterdam</a></span></span></h3>
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<span style="font-size: xx-small;"><span style="font-weight: normal;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;"><br /></span></span></span></h2>
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<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: xx-small; font-weight: normal; line-height: 18px;"><br /></span></h2>
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<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: xx-small; font-weight: normal; line-height: 18px;"><br /></span></h2>
<h2>
<span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: xx-small; font-weight: normal; line-height: 18px;">Artists that participated were:</span></h2>
<h2>
<span style="font-size: xx-small;"><span style="font-weight: normal;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">Sarah Zust & Bart de Hartog (</span><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fsarah-zust.tumblr.com%2F&h=vAQEUqMO9&enc=AZMvq6ZVCyzjNqRVLJ1p4p3B1-OC2NL0EPJTWkAsUzUE6rLvC7sf31NEOkcOvSk3slE&s=1" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px; text-decoration: none;" target="_blank">http://<wbr></wbr><span class="word_break" style="display: inline-block;"></span>sarah-zust.tumblr.com/</a><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">) - (</span><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fbartdehartog.nl%2F&h=0AQE2fz0u&enc=AZPrgmHdy5c4l6DEjQPBaJpiqb_7Vvp4niPNGABwOYiddq-AW3yFaLy0KNGzZtSGnbk&s=1" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px; text-decoration: none;" target="_blank">http://bartdehartog.nl/</a><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">)</span></span><span style="font-weight: normal;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">Marijke Appelman (</span><a href="http://marijkeappelman.nl/" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px; text-decoration: none;" target="_blank">http://marijkeappelman.nl/</a><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">)</span></span><span style="font-weight: normal;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">Simon Kentgens (</span><a href="http://www.simonkentgens.com/" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px; text-decoration: none;" target="_blank">http://<wbr></wbr><span class="word_break" style="display: inline-block;"></span>www.simonkentgens.com/</a><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">)</span></span><span style="font-weight: normal;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">Veronica Olivotto & Beatrice Sarosiek</span></span><span style="font-weight: normal;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">Joshua Thies (</span><a href="http://joshuathies.blogspot.com/" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px; text-decoration: none;" target="_blank">http://<wbr></wbr><span class="word_break" style="display: inline-block;"></span>joshuathies.blogspot.com/</a><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">)</span></span><span style="font-weight: normal;"><span style="background-color: white; color: #141823; font-family: Helvetica, Arial, 'lucida grande', tahoma, verdana, arial, sans-serif; line-height: 18px;">Katherine MacBride (</span><a href="http://l.facebook.com/l.php?u=http%3A%2F%2Fvimeo.com%2Fkatherinemacbride&h=EAQENJ9y2&enc=AZOQ_jG9xuILKDeJEss5GRB_kGsQRqLHyKWJSBpGiB9OG2BzA56PtWjKFawd1m9lmrA&s=1" rel="nofollow nofollow" style="background-color: white; 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Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-50516121068787184752014-09-27T12:00:00.000-07:002014-10-25T18:00:31.227-07:00IN BUT OUT: Exhibition WOLFART Projectspace with Petar Tuskan during SOUTH EXPLORER<br />
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<a href="http://petartuskan.blogspot.com/">http://petartuskan.blogspot.com/</a>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0tag:blogger.com,1999:blog-2008288984781658585.post-46057372435995160182014-08-31T13:00:00.000-07:002014-09-14T08:01:22.611-07:00 "Open Pizza Oven"
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<span lang="EN-US" style="mso-bidi-font-family: "$¨E\002768ˇøÚ‹";">‘OpO’
is a project initiated by </span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Alberto Campesato, Giuseppe Tescione and Andrea Scardaoni. Campesato, Tesciobe and Scardaoni build a wooden </span><span lang="EN-US" style="mso-bidi-font-family: "$¨E\002768ˇøÚ‹";">pizza oven at their </span><span lang="EN-US" style="font-size: 11.0pt; mso-bidi-font-family: "Times New Roman";">studio
</span><span lang="EN-US" style="mso-bidi-font-family: "$¨E\002768ˇøÚ‹";">in the
Wielewaal.<span style="mso-spacerun: yes;"> </span>Several events such as a
pizza workshop and a day/night event called “</span><span lang="EN-US" style="mso-bidi-font-family: "Times New Roman";">Pizza con Delitto” </span><span lang="EN-US" style="mso-bidi-font-family: "$¨E\002768ˇøÚ‹";">will take place
around the oven.<o:p></o:p></span></div>
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<span lang="EN-US" style="mso-bidi-font-family: "$¨E\002768ˇøÚ‹";"><br /></span></div>
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For more information check: <a href="https://www.facebook.com/tacoslab6">https://www.facebook.com/tacoslab6</a>Nac Foundationhttp://www.blogger.com/profile/08634255862709314593noreply@blogger.com0